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Multi-band vocal compression presets for plugins like Waves C4 / C6, Studio One multiband dynamics, Fabfilter Pro-MB and Pro-Q3. Format: Studio One 4.5. For more info check the video bellow. Multi-Band Vocal Compression Presets quantity. Description; Description. This one comes in a free plugin bundle with all sorts of fun mixing toys. Download MAutoPitch for Free. Voxengo OldSkoolVerb. Reverb for vocals is essential. Reverb takes your vocals out of the room you recorded them in, and allows you to make your own sound space. OldSkoolVerb has got you covered no matter what your needs are. From huge halls to a tiny closet, it gives you all the options to create the perfect sonic space in your mix.
Vocal Presets Studio One
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| I've had Studio One Artist 2 for about a year now and never knew about these forums ive been eq'ing and using compression by ear .I was wondering if there was any tips on how to make your vocals sound clearer? Thanks beforehand. to |
| What kind of mic do you record with? Also what I do is look up a lot of YouTube videos on recording and mixing in Studio One. Look up mic placement as well. Windows 8 AudioBox 22VSL Studio Channel Eris E8 (x2) Studio One 2 Pro 2.6.5 |
| In my experience, the key to clear recordings is fairly simple. It's not the equipment... most budget mics and budget interfaces are quality enough to give a clear sound. As long as you aren't buying from Radio Shack It's not the plugins. I'd say at least 90% of the stuff out there, including stock plugins with the DAW, are good enough to get you there completely. Some may just take a little longer to tweak. But soundwise, the quality is there... it's not holding back your clarity. Some will give you a certain tone or impact you're looking for... but as far as 'clarity'... it's not the plugin. It's your recording environment. That's the problem. If you don't like your sound... it's b/c your room doesn't sound good and you may need to make significant changes that you don't really feel like working on. IE... you may need to record in a different space all together. You may need to construct an isolation space (not just a small booth with some acoustic panels up.. that doesn't cut it really IMO). Think of it this way. If you're recording a choir... the choir is going to sound dramatically different depending on if you record them in a elementary school auditorium, a professional concert hall, or in a forest. Even if all of these places are dead silent... the environment effects the sound entirely too much to ignore. I think we're all guilty of ignoring the obvious... I know I was for years and year. I thought better equipment would yield a better product. It really doesn't. A better sounding room yields a better/ clearer product. And the equipment does the rest. But it starts with having the correct source signal in the first place. So... yes, mic placement comes into play too, b/c you need to capture the sound the right way. But... most importantly.. you need to make sure your room itself sounds clear. Not easy to do. A highend mic is going to sound garbage is a garbage sounding room, and it has no chance to sound majestic. None. And on the flip side.. a garbage mic is going to sound very good in a fantastic sounding room, and with the right mixing it has a chance to sound majestic. And lastly.. a very good mic and above in a fantastic sounding room is how you get your million dollar sound. The room doesn't have to be expensive to sound fantastic either. If it naturally just has a good sound.. go with it. So... I think you'll need to make dramatic changes either to your room... or record somewhere else (with the same equipment you probably already have) that just so happens to sound good. Last edited by CPhoenix on Wed Dec 24, 2014 9:32 am, edited 1 time in total. Win 8.1 x64 // i7 3930K (@ 4.2GHz) // Samsung Pro 512GB // 500GB SSD (via Raid 0) // 32GB RAM // MSI X79a GD45 Plus mobo DAW(s): Studio One v3 // Maschine Studio // Reason 7 Plugs: UAD 2 Quad, Klanghelm, Toneboosters, Soundtoys, others Instr.: a lot of stuff RME UCX // SM7b // Warm Audio Tonebeast12 & WA76 // Black Lion Audio Sparrow Red ADC // FMR RNLA // Korg Kaossilator Pro // Yamaha Motif XS Rack // Akai Advance 61 // Sennheiser HD 650 // Korg MicroKey 25 // Presonus Faderport // Contour Designs Shuttle Pro |
Studio One 4 Vocal Presets
| A read a post about 3 years ago that changed my life (well... from an audio standpoint lol). The guy basically said that the microphone isn't recording your voice..... it's recording your room with your voice in it. Win 8.1 x64 // i7 3930K (@ 4.2GHz) // Samsung Pro 512GB // 500GB SSD (via Raid 0) // 32GB RAM // MSI X79a GD45 Plus mobo DAW(s): Studio One v3 // Maschine Studio // Reason 7 Plugs: UAD 2 Quad, Klanghelm, Toneboosters, Soundtoys, others Instr.: a lot of stuff RME UCX // SM7b // Warm Audio Tonebeast12 & WA76 // Black Lion Audio Sparrow Red ADC // FMR RNLA // Korg Kaossilator Pro // Yamaha Motif XS Rack // Akai Advance 61 // Sennheiser HD 650 // Korg MicroKey 25 // Presonus Faderport // Contour Designs Shuttle Pro |
| The guy basically said that the microphone isn't recording your voice..... it's recording your room with your voice in it. A very good point and the god's honest truth. A room's ambience and how well it is or isn't treated acoustically makes all the difference. There's a reason many pro studios use vocal isolation booths. One of the best investments you can make is proper acoustic treatment of your room. If you can't do that there are other options at various price points such as portable isolation booths and reflexion filters: http://www.acoustimac.com/acoustimac-go-booth-system-6-x4-x2/?gclid=CjwKEAiA5emkBRCT_JL9p77IyF8SJADpztPyNi_puNUr-i7m4UkcDyNvMtpxF-PNVPKKvO22fzzueBoCHiHw_wcB http://www.bhphotovideo.com/bnh/controller/home?O=&sku=840770&gclid=CjwKEAiA5emkBRCT_JL9p77IyF8SJADpztPyk6x7TxvIbdJZOMJHEWjCjg_fmH6XcGOvFZTYPLJ0xxoCAkXw_wcB&Q=&is=REG&A=details https://soundcloud.com/cristofe-chabot/sets/main PC'S: HP XW6000 Dual 3.2GHz Intel Xeon, 8GB RAM WinXP SP2 HP 6005 Pro AMD Athalon X2 B24 3.0Ghz, 4GB RAM Win8 Pro Dell Latitude E6410 Laptop Intel i5 2.67Ghz 8GB RAM Win7 Pro x64 Audio Interfaces: Terratec EWS88MT PCI (2), Audiobox 1818VSL USB & Firestudio 26x26 Firewire, Line 6 PodXT, Roland GS-10, NI Rig Kontrol 3 Monitors: Yamaha HS50M's DAW: S1 3.2.1 Pro To add your software and hardware specs to your signature to make it easier for us to help you, click HERE. |
| I will say that I noticed my vocal recordings capturing less of the room once I purchased my Shure SM7B, so the pattern of the mic CAN help. I am Sir Melvis Bacon, Knight of BaconHam Palace. Studio One 2 Pro 3.3.x (64 bit). MacBook Pro 13'. OS X Sierra version 10.12.3. RM16AI and CS18AI connected in Stagebox mode via MOTU AVB Switch. StudioLive 328AI (x2); AudioBox 22 VSL; BlueTube DP V2; FaderPort; Monitor Station; RC 500; Temblor T10. To add your software and hardware specs to your signature to make it easier for us to help you, click HERE. My Website |
| CPhoenix wrotethe microphone isn't recording your voice..... it's recording your room with your voice in it. that CONCEPT is so dope. |
| I would say to record/mix vocals EVERYTHING needs to be taken into account. Room acoustics/noise, Mic choice, Mic technique, (wiring), Pre, Plug-ins, etc. I'm not saying that you need to record your vocals in the top multi-million dollar studio though but you need to at least be aware of the components in your chain and the roles they play in affecting your sound to know how to best compensate for them. Many Rap vocals are recorded in substandard environments (especially Mix CDs even by well respected artists), but the key is knowing how to properly account for your environment. But paying attention to various components will help your sound overall. What in particular you don't like about your vocals. I would start there and then try to figure out whether the various components could be affecting your sound. |
| CPhoenix wroteA read a post about 3 years ago that changed my life (well... from an audio standpoint lol). That, my friend, is awesome. Thanks for sharing. Matt Lenovo ThinkServer TS140 Win 10 64bit, 8GB RAM, Intel Xeon Lenovo Thinkpad E520, Windows 7 64bit, 8 GB RAM, Intel i5 Processor S1Pro V4 |
| Thank y'all, i really didn't think anyone was going to reply there was alot of useful information . I went out and bought some studio foam before seeing any reply and i have to say it has kind of helped so i see where y'all are getting at with the room im recording in probably being the problem . I am currently using an m7 microphone from presonus idk if that makes any difference as well? I was thinking about getting a Rode Nt1a...but idk .. |
| Oh also,one more question there is a kind of hissing sound when recording how cold i fix that? |
| Can you post a sample? I am Sir Melvis Bacon, Knight of BaconHam Palace. Studio One 2 Pro 3.3.x (64 bit). MacBook Pro 13'. OS X Sierra version 10.12.3. RM16AI and CS18AI connected in Stagebox mode via MOTU AVB Switch. StudioLive 328AI (x2); AudioBox 22 VSL; BlueTube DP V2; FaderPort; Monitor Station; RC 500; Temblor T10. To add your software and hardware specs to your signature to make it easier for us to help you, click HERE. My Website |
| These are two tracks I've tried mixing i posted direct links on my drop box The first one is 'Conversation' https://www.dropbox.com/s/x9cey95zvpb19 ... 9.wav?dl=0 The second one is 'Dawn to Dawn' https://www.dropbox.com/s/x9cey95zvpb19 ... 9.wav?dl=0 I hear sme hissing on both of them idk what it might be or if it's just me lmk idk appreciate it |
| oarriag wroteOh also,one more question there is a kind of hissing sound when recording how cold i fix that? This would be more difficult to trace and will require some detective work. First thing I would try is to take your mic and plug it directly into your audio interface with a very short run of cable and record. Is the problem still there? Also when you are recording, are you using alot of gain on the mic pre. Many Mic Pres have a noisy range and alot of times it is like almost all the way up. There could be many reasons though (noisy preamp, noisy mic, mic doesn't work well with particular preamp you have (some older dynamic and ribbon mics have this problem with newer low gain style preamps), bad cable, grounding issue) |
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| I have a pop rock song with vocals that are talked in rhyme with some elements of singing that very loosely resemble those of Anthony Kiedis of Red Hot Chili Peppers. I doubled them to thicken them and they sound pretty good that way. What plugins could I add to them to make them sound better? I am a beginner and, therefore, I prefer to work with presets. Example: For the bass parts, I recorded with a clean guitar and transposed the parts down an octave. Then I added Ampire. The preset values for the cabinet I selected sounded better than any adjustments I made to the various parameters. I'm looking for something like that for vocals. I'll play with the parameters a little, but I am skeptical of my ability to start from scratch and actually come up with something that is a meaningful improvement. My guess is that stock reverb and compression would help, but I would like some suggestions as to specific plugins. Thanks for the tips. Studio One Artist 2.6.5.30360, Audiobox USB (two channels), Vox ToneLab ErisE4.5 monitors, Presonus HD7 2x32 Ohms headphones, PreSonus M7 mic Dell XPS 8700, Windows 8.1 (64-bit) OS, 16.0 GB RAM Intel(R)Core(TM)i7-4790 @3.6 GHz, 1.8 TB storage (1.74 free) Ibanez RGT 42 electric guitar, Ibanez GSR 200 bass guitar |
| Both compression and reverb are very common tools for ANY tracks. Compression you would probably use on the insert of the channel, where the reverb may be best on an FX track or Buss. There are vocal presets, and whatnot, on every plug that I have seen, but you want to make sure that using them doesn't get in the way of hearing what it does. A well set compressor may not even be heard by most people, so it may inhibit learning. The best way to learn it is to set the compressor to extreme settings, and start adjusting parameters back a bit until the extreme settings are not so damaging. There is a tutorial that I saw recently. I will attempt to track it down and post to this thread. Also, an alternative to compression, is to individually edit the vocal track, slicing into phrases, and adjust the clip gain in each event to even out the performance. More manual labor, but more natural sounding result. Matt Lenovo ThinkServer TS140 Win 10 64bit, 8GB RAM, Intel Xeon Lenovo Thinkpad E520, Windows 7 64bit, 8 GB RAM, Intel i5 Processor S1Pro V4 |
| There are lots of tools for treating Vocals but you are severely limited while using Artist version. I have had great results with Fat Channel but I believe you need Pro version for that plugin... Win8. i7 64 bit w ssd and 2 tb drive. 16 gigs of ram. Maudio firewire 410 and Tascom US 1641,. Alesis io2, 2 23' monitors, M-Audio Keystation 88 keyboard, 3 Ibanez guitars, 5 string Bass, Fender Strat, fender Showman amp, Bugera V22, Bugera V55,Meldaproductions plugins, Reaper, Sonar , Studio One , Waves vst etc etc etc |
| donchilcott wroteThere are lots of tools for treating Vocals but you are severely limited while using Artist version. I have had great results with Fat Channel but I believe you need Pro version for that plugin... What, specifically, comes with the pricier versions? Studio One Artist 2.6.5.30360, Audiobox USB (two channels), Vox ToneLab ErisE4.5 monitors, Presonus HD7 2x32 Ohms headphones, PreSonus M7 mic Dell XPS 8700, Windows 8.1 (64-bit) OS, 16.0 GB RAM Intel(R)Core(TM)i7-4790 @3.6 GHz, 1.8 TB storage (1.74 free) Ibanez RGT 42 electric guitar, Ibanez GSR 200 bass guitar |
| matthewgorman wroteBoth compression and reverb are very common tools for ANY tracks. Compression you would probably use on the insert of the channel, where the reverb may be best on an FX track or Buss. I already evened out the volume of the clips. The mix is quite nice for a beginner and sounds smooth. Why not create a vocal bus and put compression and reverb on it? Also, there is more than one type of compression and reverb. Do you recommend a particular one? Studio One Artist 2.6.5.30360, Audiobox USB (two channels), Vox ToneLab ErisE4.5 monitors, Presonus HD7 2x32 Ohms headphones, PreSonus M7 mic Dell XPS 8700, Windows 8.1 (64-bit) OS, 16.0 GB RAM Intel(R)Core(TM)i7-4790 @3.6 GHz, 1.8 TB storage (1.74 free) Ibanez RGT 42 electric guitar, Ibanez GSR 200 bass guitar |
| donchilcott wroteThere are lots of tools for treating Vocals but you are severely limited while using Artist version. I have had great results with Fat Channel but I believe you need Pro version for that plugin... Fat channel comes with Artist according to the comparison chart. johnsaxon wroteWhat, specifically, comes with the pricier versions? There's a sticky at the top of this forum with all of those links in it. Been there for over a year. Not sure why people keep asking about the version differences or why users have to keep giving out the same link that's already at the top of the support forum. |
| Why not create a vocal bus and put compression and reverb on it? Also, there is more than one type of compression and reverb. Do you recommend a particular one? You absolutely can use a buss, I do it a lot. For compression, I only do it when I have multiple channels feeding the buss. You can also do it with reverb, but reverb to me is a different animal. If I want to affect 100% of the signal with an effect, I throw it on the channel inster. If I am looking to blend the effect with the original more subtly, I will use an fax channel. If I need to do more routing, like a delay into a reverb, into a something else, I will use a buss. A buss can be routed anywhere, an fx channel can go to the main. There are other options to blend sounds with wet/dry controls, things like that. I am just more used to the 'console' way of routing. There are different kinds of compressors, with different control options, but compression is compression. It takes a signal, and after a certain point (threshold) it will decrease the volume of the signal by a certain amount (ratio). You can have a quick release, or allow the sound to breath going into the threshold, and sustain more to a degree with a long release. There are many types of reverbs as well. Convolvers which take an impulse response as a way to mimic a space or piece of gear, algorithmic which uses calculations to mimic a space, and so on. What I use on a particular channel or song is 100% going to depend on the song. Even a short delay can act as a reverb if you just want the track to have a bit of air. Matt Lenovo ThinkServer TS140 Win 10 64bit, 8GB RAM, Intel Xeon Lenovo Thinkpad E520, Windows 7 64bit, 8 GB RAM, Intel i5 Processor S1Pro V4 |
| I tend to do more aggressive sounding music so this might not be as relavant but worth mentioning either way.. I found this plugin called gain reduction.. jst tones is the company. its a very simple plugin with very few knobs and dials and its cheap. Its my go to vocal processor now.. it just makes everything sit in the mix properly with very little tinkering. Im pretty sure its just a series of compressors and slight eqs.. but it has dpne wonders for my songs. It almost feels like cheating half the time. It doesnt have any reverb or delay but you should be able to get vocals to sit decent with just compression and eq and then the delay and reverb is icing on the cake. For the cheap price it may be worth looking into. I have yet to try it on softer more acoustic music but maybe ill try tonight and report back. Windows 8.1 - Studio One 3 Professional - Intel Core i5-4690K Devil's Canyon Quad-Core 3.5GHz - ASUS Z97-E LGA 1150 Intel Z97 - 8GB (2 x 4GB) DDR3 SDRAM - SAMSUNG 840 EVO - On board video (for now) - Focusrite 18i20 interface - KRK Monitors - Glyph Studio External drive (amazing drive!) - Razer NAGA mouse - AXIOM49 midi controller - Alesis DM10 drum kit |
| Helpful information here. Thanks. Studio One Artist 2.6.5.30360, Audiobox USB (two channels), Vox ToneLab ErisE4.5 monitors, Presonus HD7 2x32 Ohms headphones, PreSonus M7 mic Dell XPS 8700, Windows 8.1 (64-bit) OS, 16.0 GB RAM Intel(R)Core(TM)i7-4790 @3.6 GHz, 1.8 TB storage (1.74 free) Ibanez RGT 42 electric guitar, Ibanez GSR 200 bass guitar |
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Vocal Plugins For Studio One
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